The Pete Roth Trio features leader Pete on guitar, Mike Pratt on bass, and the legendary Bill Bruford as a special guest on drums.
The band creates jazz for a new generation of music enthusiasts, exploring beyond traditional jazz conventions. A jazz standard might reveal its essence only in the final moments of performance. Roth’s original compositions, such as “Dancing with Grace,” the Trio’s collaborative works like “Trio in Five” and “Looking Forward to Looking Back,” or their reinterpretation of masterworks like Anton Dvorak’s “Largo from Symphony #9,” offer just a few gateways into the creative world of the Pete Roth Trio—a world that will likely reshape your perspective on what the guitar trio format can achieve.
It was an absolute pleasure to have Bill Bruford performing last year as part of the John Wetton Charity Concert, so we are delighted to have him return to our stage for this special evening that will include a Q&A with the man himself.
ABOUT BILL BRUFORD
Bill Bruford grew up with jazz. As an amateur drummer in the 1960s, and after a handful of lessons from Lou Pocock of the Royal Philharmonic Orchestra, he began his professional career in 1968. He was a guiding light in the so-called British “Art Rock” movement, touring internationally with Yes and King Crimson from 1968-74. There then followed several years spent observing and participating in the music making processes of, among others, Gong, National Health, Genesis and U.K., until Bill felt ready to write and perform his own music with his own band Bruford, recording four albums from 1977-80.
It was, however, the reconstituted King Crimson of 1980-84 that provided the vehicle for his revolutionary use of electronics in developing the melodic side of percussion. Following an interim two year/two album stint improvising on acoustic piano and drums with Patrick Moraz, Bruford formed his electro-acoustic jazz group Earthworks in 1986, with Django Bates and Iain Ballamy, specifically to continue this work on melody from the drum set, but now in a jazz context.
Earthworks, the group’s first offering in 1987, was named the “third best jazz album of the year” by America’s USA Today; then came Dig? (1989), All Heaven Broke Loose (1991), and the summer 1994 Live set, Stamping Ground.
King Crimson again proved itself a veritable percussion think-tank when it launched the double-rhythm team of Bruford and Pat Mastelotto in the 1994 double-trio incarnation. Through late 1994 and 1995, the band toured the world, giving 120 concerts, and producing studio and live CDs documenting its fresh and innovative use of two drummers. 1996 saw further King Crimson concerts, and the production of a CD Rom encapsulating Bruford’s approach, in a tri-format combination of audio and MIDI/digital data, entitled Packet of 3.
In between all this, Bill also found time to record and/or tour with Kazumi Watanabe, David Torn, The New Percussion Group of Amsterdam, Jamaaladeen Tacuma, Akira Inoue, Al Di Meola, Anderson Bruford Wakeman and Howe, the Buddy Rich Orchestra, Tony Levin, Pete Lockett and his old firm Yes amongst others. He continued his work as an active clinician with a series of clinics in Europe and America in 1993, culminating in his highly acclaimed appearance at the Percussive Arts Society International Convention at Columbus, Ohio in November. In 1990, the readers of Modern Drummer Magazine voted him into that magazine’s Hall of Fame.
Dining tickets include a table reservation for the evening and a delicious two course dinner. Upon arrival you will be shown to your table where you can enjoy dinner & drinks before kicking back to enjoy the show. There are always vegetarian/vegan options on the menu and we are happy to cater for any other dietary requirements - although we kindly ask (in the case of major allegies) that guest notify us in advance where possible.
Premium booths require a minumum of 4 persons and there is a small additional surcharge for booking. Contact our showroom on 01825 790 200 to learn more and make a reservation. All guest are welcome to explore the showrooms (which are open all evening) before and after dinner and our friendly staff will be on hand to assist with any questions you have or purchases you may wish to make. Please follow social distancing guidelines at all times and pay attention to any one way systems arranged around the venue.
Although we recommend dining tickets as the best way to experience our events, we also have limited room for standing guests at most shows. Due to the nature of our restaurant, standing guests are invited to use our bar and shopping areas until 30 minutes before the event. Standing guests are welcome to browse the Roger Dean Gallery, make use of the heated decking area and browse our showrooms until shortly before the show begins.Please note there is no allocated seating for standing guests.
Please note our doors open at 7pm. Tickets are non refundable however in the unlikely event a concert is cancelled, a refund will be offered or a credit note issued.
Unless otherwise stated all concerts will begin approx 8.45pm - 9pm and generally finish between 11.15pm and midnight.
Shows will usually consist of two 45 minute sets with a short 20 minute interval although this may vary between events. Please check the event specific information on your tickets after purchase.
In line with the relaxation of Government guidelines we have made the following changes to our Events Policy. The measures below are for all of our upcoming events from 28 February 2022.
An evening of stunning Jazz together with a first half Q &A session with the legendary Bill Bruford.
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